Backstage And Beyond
Contrary to popular opinion, Bizet’s The Pearl Fishers does not rely on a single beautiful duet: It has several quite lovely numbers and a few choruses that are worth your time. […]
Read MoreAnyone who has owned a pet understands the ineffable bond that can form between human and animal. But what if your pet were instrumental in saving not only your life […]
Read MoreThere’s only so much oppression that you can withstand before you finally burst out and shout: Enough! That’s pretty much what happened at the Stonewall Inn on June 28th, 1969, […]
Read MoreThe glory of Così fan tutte is, to a great extent, its music: Mozart is the reason we continue to treasure this masterpiece, more than two centuries after its premiere […]
Read MoreDaniela Mack is by far one of the most thrilling young mezzo-sopranos of our time. Kansas City is privileged to have her join the Lyric Opera’s production of Così fan […]
Read MoreComedy is often most effective when it borders on the serious, when it delves into complex truths about human nature. Così fan tutte fascinates us not only because its score […]
Read MoreFrom a purely visual point of view, Lady of the Camellias is one of the most appealing full-length works in the current repertory of the Kansas City Ballet, which in […]
Read MoreFollowers of contemporary classical music are accustomed to experiments in fusing Old World traditions with those of rock, jazz, folk, even hip-hop. These projects “click” only about ten percent of […]
Read MoreAn orchestra is more like a sports team than you might imagine. If a lone violinist starts a piece two beats before everybody else, you’re bound for disaster. If an […]
Read MoreDetermination is usually the main factor that decides whether or not a new arts group will thrive. That’s why there’s good reason to believe that Opus 76, Kansas City’s new […]
Read MoreMaria Ioudenitch has spent most of her 23 years in Overland Park and, more recently, in Philadelphia and Boston, but she feels her artistic soul is Russian to the core. […]
Read MoreGreat artists are frequently blessed with the most inquisitive of minds. For two decades, Prairie Village native Joyce DiDonato has established herself not only as one of the great singers […]
Read MoreOne late night a few years back, as playwright Harvey Williams was leaving the Just Off Broadway Theatre where his KC MeltingPot Theatre is based, he noticed the familiar flicker […]
Read MoreOne of the great things about living long is that sometimes you get to see trends you thought were lost forever make surprising comebacks. Marilyn Maye, the Wichita native who […]
Read MoreThere is nothing flashy about Horton Foote’s language. He writes the way people talk. Yet his plays and screenplays have the power to move strong men and women to tears. […]
Read MoreIt’s amazing, really, that in the dazzle of costumes, projections, puppetry, lighting and even a mechanical Toto, Septime Webre’s new The Wizard of Oz still managed to remain a ballet. […]
Read MoreWhen Septime Webre set about to create a ballet of The Wizard of Oz, he recognized the challenge facing anyone who adapts L. Frank Baum’s story: Audiences come with certain […]
Read MoreWhat strikes you first about Kevin Willmott’s Becoming Martin, which the Coterie Theatre commissioned it for its 40th anniversary, is the sharp craftsmanship and concise economy of its language. The […]
Read MoreWest Side Story remains a bit of a conundrum. More than 60 years after its first appearance, it continues to fascinate for its mixture of conventional musical theater with ballet, witty […]
Read MoreIf there was one thing that 15-year-old Martin Luther King, Jr., knew for certain when he enrolled at Atlanta’s Morehouse College in 1944, it was that he did not want […]
Read MoreIt’s hard to imagine a more apt time to be reviving West Side Story. For not only does 2018 mark the birth-centenaries of composer Leonard Bernstein and choreographer Jerome Robbins, whose […]
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