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26 Issues

In addition to receiving 26 issues of The Independent Kansas City’s Journal of Society, your subscription will include our annual publication, the Charitable Events Calendar and a subscription to our e-newsletter, The Insider. Questions about your current subscription? Contact Laura Gabriel at 816-471-2800.

Backstage And Beyond

Sometimes a conductor of strong musicianship can make up for a multitude of orchestral sins. Such was the case, almost, on Saturday at the Folly Theater, when the Moscow Radio […]

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Verdi’s Rigoletto rings true because, like much great art, it deals in subject matter that most of us can relate to. A loving father smothers his teenage daughter with overprotective zeal, and […]

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For about the first 20 years of my acquaintance with Joseph Flummerfelt’s artistry, I had no idea what he looked like. He was the silent presence behind great recordings of choral-orchestral works […]

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Cellist Yo-Yo Ma is a restless soul. When he plays a piece like Schubert’s “Arpeggione” Sonata, which he has no doubt played hundreds of times, you can feel him struggle to take […]

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Verdi’s Rigoletto is like a Lifetime Movie Network potboiler, complete with contrived crises, gratuitous violence and a cast of inexplicably mean characters who only occasionally seem like real people. The Lyric Opera’s […]

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It’s not often you get to attend a standing-room-only classical concert in Kansas City. So many choral fans showed up for the thrilling rendering of Brahms’ German Requiem at the UMKC Conservatory’s […]

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In 1975, Cynthia Siebert had a dream. She began by holding concerts in local homes, inviting top musicians to perform music of Bach, Beethoven, Schumann and others. But these were not just […]

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Orchestra musicians love Mahler’s music because it’s fun to play. Hard work, yes. But what other music of the Austro-Germanic repertoire has the clarinetists raise their bells and point them […]

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Europeans have a different concept of the passage of time than we do. The “New College” at Oxford and the famous choir associated with it were founded in the 14th […]

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We have a fascination with tales of man-made things that come to life — whether to fascinate us (Pinocchio), hurt us (Frankenstein) or steal our hearts (Tales of Hoffmann, the Pygmalion […]

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A well-oiled operatic production relies on the convergence of so many elements that it seems a miracle when it actually does all come together. The Lyric Opera of Kansas City was thrown […]

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Dolls that come to life, a village love story, iconic ballet moves: Coppéliais hard to resist even in a so-so production. The version by the Moscow Festival Ballet, presented here on […]

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As recently as 20 years ago it was rare to find works by women on the programs of professional ballet companies. That’s changing, albeit slowly. On May 6 the Kansas […]

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The Kansas City Ballet has scored a home run with its spring program that opened May 6 at the Lyric Theatre, with an appealing lineup ranging from classical ballet to […]

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Like many Southerners of her generation, choreographer Mary Pat Henry had a front row seat for the explosive events surrounding desegregation and the Civil Rights Movement. As a child in Columbus, South […]

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Symphony in the Flint Hills this year features not only the live strains of the Kansas City Symphony echoing out over the verdant hills of Chase County, Kansas, but also the […]

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Bruce Sorrell has spent a great deal of his life thinking about Mozart, and it shows when he conducts the composer’s music: He has a special understanding of this most challenging […]

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The Kansas City Ballet continues to be the envy of mid-sized American companies, maintaining fiscal health while continuing to challenge itself artistically. At Thursday’s season finale opener, veterans and younger […]

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Is there anything worse than an evening of bad Gilbert & Sullivan? If there is, let me know. The Lyric Opera of Kansas City’s production of The Pirates of Penzance came as […]

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Saying goodbye is an art form unto itself. You want a farewell to be just the right length, use just the right words and contain the perfect mix of sentiment […]

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In the famous opera scene in Pretty Woman, Julia Roberts asks Richard Gere how she’s supposed to know what’s happening onstage if everyone’s singing in Italian. “Oh, you’ll know,” he replies. “Believe […]

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