Backstage And Beyond
When a ballet audience gasps audibly at the sheer “look” of a piece, before the dancers have made a single move, you know you’re in for a ride. When the […]
Read MoreGary Neal Johnson is one of Kansas City’s most respected actors, best known as Scrooge in the KC Rep’s A Christmas Carol. But his experience has ranged widely, and he is […]
Read MoreIf you really want to know who Richard Wagner is, The Flying Dutchman is a good place to start. For not only is this the first opera in which the composer began […]
Read MoreThere’s one person you won’t see onstage in the Kansas City Ballet’s production of The Nutcracker, even though he is perhaps the most important element in putting the whole thing together. James Jordan is […]
Read MoreREVIEW: The Kansas City Ballet’s durable Nutcracker opens to acclaim The Kansas City Ballet’s The Nutcracker remains fresh partly because of a continual infusion of new talent that permits the production to evolve in […]
Read MoreWhen tenor Michael Fabiano performs on the Harriman-Jewell Series on January 19th, it will be only the latest in the Series’ half-century of presenting recital debuts by up-and-coming and, at […]
Read MoreIs there any stopping Joyce DiDonato? Every time you turn around, America’s favorite mezzo-soprano has won new awards, fresh accolades and effulgent encomiums. The 43-year-old Prairie Village native and Grammy Award-winner […]
Read MoreThere are some things on this earth that many of us just thought would never happen. Who could have imagined the dissolution of the Soviet Union, or the reunification of […]
Read MoreThere’s something about Carl Orff’s Carmina Burana, whose thunderous opening chorus “O Fortuna” is one of the most recognizable pieces of classical music ever, that makes you want to pull out all […]
Read MoreIf you want to be a member of the Mark Morris Dance Group, you’d better get busy. For not only are the auditions for his 18-member company as rigorous as […]
Read MoreIt’s hard to say which opera is the most popular in the repertoire, but The Barber of Seville certainly ranks among the top five. This wittiest of comedies formed a fitting conclusion […]
Read MoreElizabeth Caballero has built an opera career playing strong women, and she knows a bit about mettle herself. When she was 6 she and her family boarded a boat off […]
Read MoreOne of the highlights of each holiday season in Kansas City is Quality Hill Playhouse’s annual New Year’s Eve Cabaret, which executive director J. Kent Barnhart and friends have been […]
Read MoreDeborah Sandler traveled many roads before finding her niche: She sang, played the piano, studied mathematics, worked on a doctorate in musicology, wrote grant applications. But when she started working in […]
Read MoreSure The Barber of Seville is a frothy, wry and at times deliciously silly comedy. But it can’t be played as pure farce, says William Theisen, who directs the Lyric Opera’s production opening on […]
Read MoreThe Heartland Men’s Chorus has an uncanny knack for picking timely, even “hot” topics for their programs. In 2003 they performed The Few, the Proud, a multimedia concert that told stories about […]
Read MoreIn 2007, Giuseppe Filianoti feared his opera career might be over. The Italian-born singer, whom critics were calling one of the leading tenors of his generation, underwent surgery to remove a cancerous […]
Read MoreSome dance companies are formed with a clearly etched vision of what they want to do, and they just go do that over and over. Others grow like Topsy, evolving […]
Read MoreCan an opera teach us things about historical events that we can’t glean from factual accounts alone? John Adams’ opera Nixon in China provides one of the most compelling answers to that […]
Read MoreRational Exuberance: Ray Chen’s KC debut showcases substantial interpretive strengths A classical musician’s devotion to the intentions of composers long deceased often finds itself at odds with the present day’s […]
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