Backstage And Beyond
By Paul Horsley One of the challenges of the Kauffman Center these days is for the resident companies to prove that the brilliant successes of the first two seasons were […]
Read MoreBy Paul Horsley Jodie Gates has danced, choreographed, staged ballets, created festivals, served as mentor for young dancers. But few things excite the California native more than creating new choreography, […]
Read MoreBy Paul Horsley The operatic version of the Romeo and Juliet legend that Bellini and his librettist Felice Romani created from Italian sources predating Shakespeare is at least as action-packed […]
Read MoreBy Paul Horsley Always look both ways before crossing, because sometimes the car that hits you comes from the place you least expect. The season-opening productions by the KC Actors […]
Read MoreBy Paul Horsley Not every child prodigy makes it through adolescence to emerge as an extraordinary adult artist. One such musician to arrive recently at the “other side” is pianist […]
Read MoreBy Paul Horsley Opera is such a collaborative art form that it cannot succeed unless music, acting, stage direction and design all work together to form a sort of magical […]
Read MoreBy Paul Horsley Eugene O’Neill’s dark-hued Long Day’s Journey into Night is a classic whose infrequency on the stage belies its importance in theater history. The great Irish American playwright […]
Read MoreA Conversation with Angela Lee Gieras Angela Lee Gieras is a financial whiz whose fundraising savvy is driven by a lifelong passion for theater, so she was in many ways […]
Read MoreBy Paul Horsley Part of the fun of watching William Inge’s Picnic just a stone’s throw from its setting, the small-town Kansas milieu in which the playwright was raised, is […]
Read MoreBy Paul Horsley To be sure, one could start by looking at the sheer empirical data on Deborah Sandler’s first season as general director and CEO of the Lyric Opera […]
Read MoreBritish playwrights have figured heavily into the Kansas City Actors Theatre seasons of late, so this year the nine-year-old company found material for its late-summer shows closer to home. KCAT’s […]
Read MoreBOLD NEW DANCE: In an era of change, Carney steps in as Kansas City Ballet’s new leader By Paul Horsley It must be an exciting time to be Devon Carney. […]
Read MoreIf you want to build a dance festival from scratch, the key is collaboration. When veteran Kansas City Ballet dancers Logan Pachciarz and Anthony Krutzkamp determined to create an […]
Read MoreSummer in Kansas City used to be a pretty sleepy affair for classical music, theater and dance, but no longer. The Summer Solstice is not even upon us yet, and […]
Read MoreNO LIMITS – Stern on the Kansas City Symphony: We’re just getting started! One of the exciting things about living in Kansas City through the last decade has been […]
Read MoreThe stars came out on May 12th, as the Kansas City Ballet bid farewell to its longtime artistic director, William Whitener. He departs this June 30th after 17 years at […]
Read MoreNINE FOR THE NINE THAT DRESSED SO FINE: Harriman-Jewell Series presents Cantus Cantus is an all-male a cappella ensemble consisting of nine singers who perform a most eclectic mix of […]
Read MoreUnicorn’s production of Potok adaptation is golden My Name is Asher Lev became a classic work of American fiction virtually from the day it came out in 1972, and Aaron […]
Read MoreTo be a serious ballet company these days you can’t just do an endless series of Swan Lakes: You’ve got to push things forward. The Kansas City Ballet in its […]
Read MoreYou’d be hard-pressed to find an American artist in any field as interesting and engaging as Karole Armitage. The Wisconsin native, who grew up partly in Lawrence, learned classical ballet […]
Read MoreAlmost every singer has a “breakthrough” moment, when he or she lands the right role at the right time and scores a deep impression with public and press. For Irish-born […]
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