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26 Issues

In addition to receiving 26 issues of The Independent Kansas City’s Journal of Society, your subscription will include our annual publication, the Charitable Events Calendar and a subscription to our e-newsletter, The Insider. Questions about your current subscription? Contact Laura Gabriel at 816-471-2800.


SHE DIES, HE LIVES, THE END: KC Ballet seeks inner core of problematic classic

By Paul Horsley Rich Boy disguises himself as Poor Boy in order to win Poor Girl, who falls for him despite Mom’s suspicion there’s something a little “off” about him. Poor Girl, who has a heart condition, can’t stand the shock of finding out he’s actually engaged to Rich Girl. She dies and joins a […]

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REALMS OF GLORY: KC Rep takes on ‘Angels’ with preeminent storyteller at the helm

By Paul Horsley Maybe all you know about Angels in America is that it’s a monumental, mystical, two-part, seven-hour stage work that wrestles with gigantic subjects such as good and evil, sex and human frailty, love and hypocrisy, and death. Or that it changed the course of American theater. Or that it dealt with AIDS […]

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LAST LAUGH: Performance suggests that a composer’s final thoughts are his best—or are they?

By Paul Horsley Composers throw us a curve ball when they drastically revise works and leave the original for us to mull over alongside the new version. Of course there’s nothing that classical listeners love more than to debate the relative merits of the results: Dresden Tannhäuser, or Wagner’s more elaborate Paris/Vienna version? Bruckner’s original […]

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THAT’S ECLECTICISM! Playhouse shines wide-ranging spotlight on classic film musicals

By Paul Horsley Americans are surprisingly narrow-ranged in their cultural exposure these days, internet or no internet. For most people it’s either hip-hop or ballet but not both, hillbilly or Haydn, Disney or Dostoyevsky. But audience tastes weren’t always this balkanized: Quality Hill Playhouse’s current month-long production, “That’s Entertainment: The MGM Years,” reveals the extent […]

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I YAM WHO I YAM: In KC Symphony premiere, Previn proves that knowing thyself has no shelf life

By Paul Horsley At 85, André Previn has nothing to prove. As one of the great musical geniuses of the 20th century and for that matter the 21st, the Berlin-born American whose family fled the Nazis has headed several international orchestras, won four music-category Oscars, and received fistfuls of kudos including the Kennedy Center Honors, […]

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LYRIC NIGHT: Prize-winning World War I opera, soon to make KC premiere, strikes at the heart of human conflict

By Paul Horsley Silent Night, the World War I opera that is taking the music world by storm, is not a history lesson, and it’s not a sermon. It’s an image of what can happen in wartime when men and women who have been told they are enemies sit down and talk, in defiance of […]

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COME, THOU FOUNT: Choreographer and star team create dazzling new vision of Handel

By Paul Horsley If you’re not sure whether Mark Morris’ Acis and Galatea is opera or dance or theater or what, then you’re probably on the right track. “That’s historically accurate,” said Mark recently on the phone, pointing out that in the Baroque “opera included all of those things: That’s the whole point.” The choreographer’s […]

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